Episode 26: The Savages

The Savages

Episode 26: The Savages
First Doctor
Companions: Steven, Dodo
Written by Ian Stuart Black
Directed by Christopher Barry
Wikipedia Entry

This was the first time in which each installment had no title cards

The Doctor visits an advanced society that is protecting a large secret.

This was an entertaining story. The overall plot involves a civilized society and a lower-class culture of “savages.” This is a power-play storyline that is similar to the various moral stories that were presented in the original Star Trek. What is a savage? Who determines the welfare of the greater society? Is a civilized world a better world when you consider the consequences? Are the savages really savages or are the “civilized” society the true villains?

The novelization handled the story well and I was curious as to how the citizens handled their changes in the coming years.

Steven’s casual dismissal of Dodo was irritating. “She always gets feelings likes that,” said Steven. “She imagines things.” I haven’t seen an example of Dodo being flighty or exhibiting hysteria. That Steven doesn’t want to listen to reason when everything looks “too perfect.” I was a little sad at Steven’s depature but I’m not going to miss his character. He was far too pushy and impatient for my liking. I think I’ll miss the potential that Steven could have been.

This is one of those novelizations in which I really want the original footage to be found. Great pacing, interesting dialogue, fun overall.

Historical Mentions
This was the last appearance of Steven Taylor.



Episode 25: The Gunfighters

The Gunfighters


Episode 25: The Gunfighters
First Doctor
Companions: Steven, Dodo
Written by Donald Cotton
Directed by Rex Tucker
Wikipedia Entry

A Holiday for the Doctor
Don’t Shoot the Pianist
Johnny Ringo
The O.K. Corral

A case of mistaken identity places the Doctor in danger at the O.K. Corral.

In my last review, I complained about the balance of the episodes; too many series parts and not enough fun parts. Well, with the Gunfighters that balance went out the window into silly but still mixed with fun. The Doctor, Dodo and Stephen find themselves in the heart of the Wild, Wild West when they arrive at the O.K. Corral. The Doctor finds himself mistaken for Doc Holiday and that’s when the adventure begins. There’s a lot of build up towards the famous gunfight of the O.K. Corral.

The thing that drives me nuts about these episodes would be the use of music. There is a song that plays between scenes and it doesn’t really play out as well as it should have. It was catchy the first time but then it starts to distract from the story, which is actually entertaining. It’s as if the writers wanted to create a musical episode without having to put in the work. And it’s the first time in which I’m not annoyed with Steven as a character, though it was borderline for a majority of the serials.

The story could have been ridiculous and I have read a variety of reviews in which the episode is poorly received. It wasn’t as bad as it could have been. There’s an earnest quality about the storyline and the comedy involved is charming. I believe that this episode is one of those in which you either love it, tolerate it, or loathe it. It’s not a strong episode but I found it fun and do recommend it for the casual Classic Who viewer.


Episode 24: The Celestial Toymaker

The Celestial Toymaker

Episode 24: The Celestial Toymaker
First Doctor
Companions: Steven, Dodo
Written by Brian Hayles and Donald Tosh
Directed by Bill Sellars
Wikipedia Entry

The Celestial Toyroom
The Halls of Dolls
The Dancing Floor
The Final Test
(Missing #1 – #3)

A maniacal gamer makes trouble for the Doctor and his companions.

Okay, let’s discuss why the Celestial Toymaker hasn’t been back on Modern Who. I know I will encounter him again in audio adventures and various stories throughout the novels but the character hasn’t been back on TV and this needs to be rectified. Maybe it’s the use of the Mandarin costume (which should not be replicated because holy racism, Batman) but there has to be some way that the Toymaker comes to Modern Who. The character is fun and I would love to see Capaldi’s responses to the Toymaker’s snide remarks.

The entire episode is a series of games in which Dodo and Steven must play in order to win back the TARDIS. The Doctor is forced to play a separate game in front of the Toymaker. If the Doctor wins the game before Dodo and Steven reach the TARDIS, the Doctor actually loses and Dodo and Steven become dolls for the Toymaker’s amusements. The entire structure of the installments and novelization rely on the interactions between Dodo and Steven. Apparently, William Hartnell was on holiday during the shooting of installment two and three, hence why there are parts in which the Doctor has been silenced or you only see his hand.

Dodo and Steven make the story work well and there is a fondness between them that allows the reader/viewer to want to see them succeed. I’m glad that this book pointed out Steven’s constant rashness. There’s even a line in which Dodo is described as being “…irritated…(with)…Steven’s tough guy attitude…” Why was he written this way?  There are brief moments when his snarly attitude breaks free and I can see an opportunity in which he could have became my favorite, but then it passes and I’m left with the annoyed face. I want to like him but he’s a product of his time. (Not his character’s time but the time of the episode’s production.) Then again, Ian wasn’t this bad. Again, stomach through until the end.

The story itself is fun and light. The problem I’ve been having with some of these episodes has been the larger than life, intense storylines. The Daleks’ Master Plan nearly killed this blog as it became a drag to get through the storyline. Having recently finished the 9th series of Modern Who, I appreciate the balance of humor with serious with the placement of the episodes. I know that I’m not watching these classic programs in the manner that they were presented (a 30 minute episode once a week) but I can’t help but grumble. One idea that I might try in the future, once we’re past the First and Second Doctor with their missing episodes, is to only watch one part of the serial a day. That way I can process the episode as it was presented instead of binge watching the episode with multiple parts in one sitting.

The last installment of The Celestial Toymaker was fun to watch as it is available on the Out of Time boxset. The ending didn’t feel cheap and it did leave the possibility for the Toymaker to return in the future. (Please let the Toymaker come back for Capaldi’s next season. PLEASE!). The entire story was a lot of fun and worth the time and effort to find and read.

Historical Mentions
The Toymaker is played by Michael Gough, who would later play Alfred Pennyworth of the Batman films. He was married to Anneke Wills, a companion of the Doctor starting in Episode 27.



Episode 23: The Ark

The Ark

Episode 23: The Ark
First Doctor
Companions: Steven, Dodo
Written by Paul Erickson and Lesley Scott
Directed by Michael Imison
Wikipedia Entry

The Steel Sky
The Plague
The Return
The Bomb

Ten million years in the future, before the Earth is destroyed by the expanding sun, the Doctor and his companions meet the last survivors of the planet.

First of all, can we talk about how much I adore Dodo. What a breath of fresh air compared to Steven’s dourness. Her interactions with the Doctor brought a much-needed levity that had been missing since Vicki’s departure. It’s not entirely Steven’s fault; it’s just the way he’s been written. I liked the balance between Steven and Dodo and I hope that it continued in future episodes. (Though Steven’s interactions with the humans without the Doctor and Dodo were great.)

This episode was fun. It wasn’t the best but it wasn’t the worst. I found myself distracted throughout the various parts but still able to pay attention to the plot lines.  There really wasn’t much of the episode that seemed to stand-out. The aliens, the Monoids, were great but I was distracted by the wigs.

In terms of the plot, I really liked the use of Dodo’s cold. I was reminded of The War of the Worlds as the Martians were defeated by the common cold. It brings up an interesting point in that we don’t always see the different implications the Doctor and his companions have with diseases and immunities. What airborne diseases are the human companions taking back with them when they leave the Tardis? Has this issue been brought up in future episodes? Does the Tardis have a decontamination process before each departure? Do companions have to go through a series of immunization shots before traveling? Questions. Questions. Questions.

This serial also had the best cliffhanger so far when the Doctor and companions find themselves returning after a considerable amount of time. There was some great world building in these four episodes and it was fun to watch the show play around with group and race dynamics. I can’t help but wonder how this episode concept would play out in modern Who?

And how wonderful is the last moments of the last episode? A disappearing Doctor? Yes and please!

Historical Mentions
This is the first adventure with Dodo Chaplet.

The first mention of the Earth’s destruction due to the Sun’s expansion. This concept would be later explored in the Ninth Doctor episode “The End of the World.


Episode 22: The Massacre of St. Bartholomew’s Eve

The Massacre

Episode 22: The Massacre of St. Bartholomew’s Eve
First Doctor
Companions: Steven, Dodo
Written by John Lucarotti and Donald Tosh
Directed by Paddy Russell
Wikipedia Entry

War of God
The Sea Beggar
Priest of Death
Bell of Doom
(All Missing)

The Doctor and Steven are in a race for time in 1572 Paris.

This was a quick read. A nice historical story that didn’t really add to the mythology of the Doctor but a mere filler episode, or at least that’s what I took from the reading.

Well, I hate saying this, and I know I’ll repeat this on any lost episode, but seeing this would have been more interesting than reading the story. St. Bartholomew’s Massacre is an interesting piece of history and I felt that the adaptation grazed over the consequences and the historical significance for a thriller story. From what I’ve read in the Wikipedia entry, the ramifications of the massacre were shown more than the book version.

I wonder about Steven. He really hasn’t been my favorite companion. Granted, it’s not his fault as he had the task of replacing Barbara and Ian, the original (and most beloved) companions. Steven needs someone to balance his character. I’m hoping this will be Dodo in the future episodes.

Overall, the story is okay but I wish for a little something more.

Historical Mentions
It is hinted in the book adaptation, not the original telecast, that Dodo is descendent of the family of Anne Chaplet.

Episode 21: The Dalek’s Master Plan

The Mutation of Time

Episode 21: The Mutation of Time
First Doctor
Companions: Steven, Katarina, Sara Kingdom
Written by Terry Nation and Dennis Spooner
Directed by Douglas Camfield
Wikipedia Entry

The Nightmare Begins
Day of Armageddon
Devil’s Planet
The Traitors
Counter Plot
Coronas of the Sun
The Feast of Steven
Golden Death
Escape Switch
The Abandoned Planet
Destruction of Time
(Missing #1, #3, #4, #6, #7, #8, #9, #11, and #12)

The Doctor faces his greatest enemy with the fate of the Earth in the balance.

Dear BBC,

Honestly guys…out of all the episodes to be destroyed, you had to choose the huge, massive, epic twelve part blow-out. It would have made this review a lot more easier if you had not deleted these episodes.


Me, the annoyed viewer

I’ve been sitting on this review for a bit because I just can’t seem to commit to reading the second part of this adaptation. I don’t know if it’s because of its scale or because the story just isn’t connecting as I hope it would. I have some quotes and notes from the first part of the adaptation but this is one of those times that I just have to walk away. Maybe I’ll be able to come back and look at this installment with fresh eyes but I have to move on to the next episode. I miss talking about Doctor Who and this blog was a nice escape from my busy life.

There might be one reason why I’m having problems updating this blog beside the aforementioned busy schedule; the new Doctor Who episodes have simply drained me. There’s no life in the series anymore. You can see the actor’s trying but it feels like fan service instead of earnest storytelling. I miss the heart of the show, which is messing with the heart I had for the classic seasons. Talking with my friends about the program I have discovered that I’m not the only one who has this feeling.

So, the plan is to push through this feeling and start blogging again. I love the First Doctor. I love the adventure he presents and I love his companions (though Steven needs to tone down the sexist attitude ASAP). Thank you, Katarina for your sacrifice. I wish we could have more episodes with you. While the previous companions had many examples of how dangerous it can be to travel with the Doctor, you were the first one to show the audience that it’s not always fun and games.  Thank you, Sara Kingdom for being a badass. You were amazing and interesting and I wish we could have had duel adventures with you and Katarina. Thank you Bret Vyon. Your moral ambiguity was fun to watch and I wish we had more of your story as well.

And with that, let’s move on. Let’s begin that push towards the next chapter.

Historical Mentions
The only appearance of Sara Kingdom and the first death of a companion.

Episode 19: Mission to the Unknown

Special Note

Mission to the Unknown was originally a one-shot story that presented background information for the larger story, The Daleks’ Master Plan. This review will examine the book adaptation of Mission to the Unknown which has elements of The Daleks’ Master Plan within its narrative. Consider this post as Part I of a two-part series examining this epic chapter of the Doctor’s adventures.

Mission to the Unknown

Episode 20: Mission to the Unknown
First Doctor
Companions: n/a
Written by Terry Nation
Directed by Derek Martinus
Wikipedia Entry

An expedition from Earth discovers a deadly secret on a jungle planet.

Book Evaluation
I know that there have been times when I’ve read a Doctor Who adaptation and immediately thought, “Damn it, man! Why on God’s green earth did you have to destroy those tapes.” I probably should pre-apologize for how many times I’ll probably will mention this as we head towards the bulk of the Missing Episodes. This episode, which will be paired up with Episode 20, is one of those times in which I have feel very angry about the Missing Episodes. This would have been amazing to watch. I know that the audio still exists for this Episode and for Episode 20 but it’s not the same as having the full experience. I believe that is one reason why I haven’t updated in quite some time. I had thought about pairing the readings with an of the surviving audio adventures but it turn out to be too time consuming for someone with two jobs. Maybe in the future, but I’m anxious to get back to blogging, so no on the audio…for now.

So what can we say about the book adaptation of Mission to the Unknown. This is a strange thing in that Mission to the Unknown was actually a one-off episode in which it sets up the background for Episode 20. There’s no Doctor or no companions. There are humans exploring a planet but no connection to the Doctor until towards the end. In this book adaptation, it doesn’t start with this part but rather the after-effects of The Myth Makers. (And now you see why I wanted to push Myth Makers first instead of this episode.)

The adaptation begins with the point of view of Katarina, who served as a handmaiden for Cassandra, the Trojan prophetess. Before we go any further, I have to mention how much I really liked Katarina. There’s a part later on that I’m not happy with in how they treated this character but I have to mention that I admired her spirit. Katrina was the first companion of the Doctor’s in which her background was of the past as opposed to the present or the future. (Barbara and Ian were of the present timeline, while Vicki and Steven originated from future timelines. Susan could be considered neutral as she began her travels at the same time as the Doctor.) Even though Katarina possesses a more innocent mind due to her background, she is still a fighter and more than worthy to be aboard the TARDIS. It does get a bit tiring of how some of the “modern” characters will talk down to her like a child. She’s from the era of Troy, of Myth thrust upon a future setting. She’s doing pretty well considering the shock of the transition.

As we begin this story, the Doctor and Katarina are dragging Steven from the battle of Troy back to the TARDIS. Unlike the previous book adaptation, in which it is mentioned that Steven was fine as they left Troy, he has been wounded and it is feared that he might be in danger due to infection. The Doctor is worried about infection, while Katarina, who has seen wounds similar to Steven’s in her experience at Troy, is sure that Stephen is on his way to his death. As the Doctor sets course to a time of civilization in which antibiotics are more readily available, we now shift to a jungle setting, or the setting of the one-off episode call the Mission to the Unknown.

Let’s pause here and consider what it might have been like for the audience. Here they are expecting another exciting episode with the Doctor and they get this strange jungle episode in which men go mad and the jungle screams only add fear to those brave, or stupid, enough to explore. This entire portion is a great part of the book adaptation. It’s creepy, strange, and unworldly. I know that Doctor Who is a science-fiction program but because of the historical elements that are showcased in the show, sometimes that sci-fi portion is ignored. This portion combines the older sci-fi mentality and adds a bit of horror for a very entertaining read. I couldn’t help but consider Jeff Vandermeer’s recent Southern Reach trilogy which has roots in the weird fiction genre. There is a desperate struggle between the jungle and the human explorers only to discover that there is a bigger threat beyond the power of unworldly nature: the Daleks.

I know I’m repeating myself but I really liked this portion of the story. It sets up Episode 20 so well and provides a feeling of fear for the audience members. They know that the Doctor is about to face the Daleks in later episodes but as the jungle is a vicious force of nature, will the Doctor have more than one enemy in battle?

From here on in, the book adaptation becomes an adaption of Episode 20: The Daleks’ Master Plan, hence the need to make this a two-parted review. Except for the following notations, I will be pausing in this review and continuing to exam the rest of the adaptation in correlation with The Daleks’ Master Plan in the next post.

The thing that I really liked about this book was the various characters that were introduced and how the story began to play around with genres. At first it was a survival piece with the Doctor trying to save Stephen and the new character, Bret Vyon, who is trying to survive the jungle planet to send vital information about the Daleks back to Earth. The story will later morph into a spy/suspense thriller mixed with those sci-fi elements I touched upon previously. This marked the first time that Nicholas Courtney would play a role in Doctor Who. For those unaware of Courtney’s history with the program, he would later play the wonderful Brigadier Alistair Gordan Lethbridge-Stewart. The Brig is one of my favorite characters in some of the episodes I’ve seen from the Third Doctor. And it’s one reason why I’m anxious to get through some of these book adaptations so we can start our journey to UNIT. (I don’t want to rush my First Doctor adventures as I do love Hartnell but I realize I’ve been stuck in this era for a bit too long.)

The Daleks’ Master Plan also introduces Sara Kingdom, a great badass character played by the amazing Jean Marsh. There’s a great tension between Vyon and Kingdom that plays out really well in the book. And it’s something that I look forward discussing in the next post.

Episode 20: The Myth Makers

Special Note

This is the one and only time that I know of so far in which I will skip a serial and move on to another. The episode Mission to the Unknown is an anomaly. It’s a one-shot episode that doesn’t star the Doctor and provides background for a serial that doesn’t happen until after The Myth Makers. I would have reviewed it first had there been any footage left. Alas, this is one of those missing episodes. I thought I would try to read the novelization for the one-shot but it’s mixed as a two-part adaptation with The Daleks’ Master Plan. When I attempted to start reading the Mission to the Unknown adaptation, it mentions Katarina, a companion that is introduced in The Myth Makers. With this in mind, I decided that the best option would be to skip Mission to the Unknown for now and push ahead to The Myth Makers.

The Myth Makers

Episode 20: The Myth Makers
First Doctor
Companions: Vicki, Steven, Katarina
Written by Donald Cotton
Directed by Michael Leeston-Smith
Wikipedia Entry

Temple of Secrets
Small Prophet, Quick Return
Death of a Spy
Horse of Destruction
(All Missing)

The Doctor and his companions find themselves in the middle of the Trojan War.

A random Google search for
The Myth Makers lead to a wonderful discovery. Some lovely person had cut and pasted the audio transcript of the series with the remaining footage of the episode. While it is nowhere near the level of reconstruction that has been seen in the professional BBC releases, it’s still nice to have something to view instead of nothing at all.

And this is why I love the Internet.

I really wish that I had watched these installments before I had read the novelization. This was a vastly entertaining story. The characters were delightful and the overall story arc was intriguing. I even wished that the story just revolved around the Trojans instead of the Greeks merely because of the comedic exchanges between Paris and Cassandra.

This was also an interesting serial because it felt as if this was the first time we see the Doctor face the consequences of history. With The Aztecs, the Doctor and his companions understand they are merely observers of history. In any of the historical episodes (Marco Polo, The Reign of Terror, The Crusades, The Romans and The Time Meddler), the Doctor may play a part in history but often it is within the sidelines or as the potential carefree participant. The Doctor’s companions often find themselves in the thick of the adventure, seeing first hand the various tragedies in history The Romans is a fine example of this when Barbara and Ian are sold into slavery while the Doctor and Vicki find themselves on a vacation with Nero. With The Myth Makers, the Doctor is forced to design and build the Trojan Horse. He is forced to face the slaughter of the Trojans by the Greeks. He is shocked and distressed by the entire affair.

I can’t help but consider David Tenant’s tenure as the Doctor, specifically in the episode, The Fires of Pompeii. He is forced to play a vital part in history, setting in motion the deaths of thousands of Pomeii citizens. He’s devastated by his actions but they are necessary for the noble good. The Doctor faces the same dilemma in this episode, having been forced to concoct a plan to finally end the Trojan War. I don’t know if that was the intention of the writers but it works and it’s worth noting.

This episode was a little heartbreaking as well because it features Vicki’s departure. Having appreciated Maureen O’Brien’s portrayal of the character, I was sad to see her character leave the TARDIS. But what a way to leave as a part of Greek Mythology/History; becoming Cressida and falling in love with Troilus. It’s a different interpretation to the myths and poetry produced about this era and it’s fun to watch.

But when one companion’s departs,  another companion enters. I’m still baffled by this idea of an introduction. In the last installment of this serial, jealous Cassandra assigns a handmaiden, Katarina, to watch over Vicki, spying on her movements. When the Greeks attack Troy, Katarina, follows Vicki towards the TARDIS. Katarina later finds Steven in the battle areas and brings him back to the Doctor. She ends up staying in the TARDIS, becoming a new companion as Vicki becomes Cressida permanently, choosing to stay for love; quite like Susan once did in The Dalek Invasion of Earth.

Here’s the problem with this entire Katarina business. There is no mention of her and then BAM! THERE SHE IS and now she’s part of the narrative. The reconstructed serial that I was able to watch for these installments had VERY limited footage, so I don’t know if she was in the background for any of the other Trojan scenes, but it feels weird to not have her part of the program if she was to be a new companion. Granted, I do have some knowledge of this character and I understand that she won’t be staying long in later episodes….….but come on! I will admit that maybe I’ve become spoiled with Nu! Who in which new companions have an episode devoted to their introduction. (Then again, Vicki had a huge episode to her introduction. Steven had the tail end of an episode for an introduction but it was established pretty quickly of who he was and what was his motivation to join Team TARDIS)

Overall, I really wish I could have seen the full version of this episode. While the audio tracks are fun for at least gaining some understanding of the presentation, the full experience would have been more intriguing. I pre-apologize for the previous statement because I have a feeling I’m going to be saying that a lot as we head towards the Missing Episode Eras. Oh, what could have been, what could have been…

Book Evaluation
The Myth Makers is a strange adaptation. This story took me a long time to finally finish because I just couldn’t get into the storyline. I attribute my lack of enthusiasm with this adaption to why it has taken me so long to update this site. (That and other life things) My one regret with this installment was that I found the fan reconstruction after I had finished the adaptation. I believe it would have been more helpful in pushing me to finish this story earlier than later.

I was about a fourth into the book when I realized what my issues with the narrative; Homer as the narrator of this story. The Homer depicted in this story is written with a modern voice instead of one resembling his various works. Take this quote for example:

“…but Steven had elected to climb into a small tree, where he looked ridiculously conspicuous against the rising moon, rather like a ‘possum back on the old plantation. And the hound-dog had him in no time at all.”


Now I know I don’t possess the knowledge to be an authentic Greek scholar outside of the magical world of Wikipedia, meaning I don’t know what types of plantations the Greeks might have had or if they hound-dogs or ‘possums, but this reads as if Homer is comparing Steven’s situation with one resembling some form of an  American Southern comedy. It doesn’t fit with the setting of the story.

The problem with this adaptation is that the author felt the need to have a narrator. There was no narrator in the original broadcast. Why was there one needed here? It’s a frustrating question because the author of this adaptation is the same author who wrote all four installments of this serial.

The different shifts between story-lines (Greeks vs. Trojans) did not need a constant narrator to discuss the character’s actions or histories. There should have been a third person narrative, which would have worked out fine as it has in previous adaptations. I found myself ignoring or skimming the parts in which Homer was discussing his interpretation of the events. I was more engaged when the focus was on the characters of the story.

The story itself, once you remove the Homer aspect of the tale, is quite engaging. This is one of those stories that I wish the full visual episodes were still available. I feel grateful for the fan audio reconstruction but it’s really not the same thing.

In terms of the differences between the books and the visual broadcast, Steven is injured in the broadcast, which leads into the next episode. The ending of the book glosses over the battle sequences and Vicki’s departure. There is still great dialogue between the Trojan characters, but there is a minor focus on Helen and her role in the entire war/affair. There’s part of me that wishes that the book adaptation would merge with the visual broadcast to give the viewer a larger, overall vision of the Trojan War.

It should be noted that Katarina is barely mentioned throughout the book until the end, similar to her introduction in the visual broadcast. Again, this is the part where I lament about missed opportunities.

Both versions of the story have merits just as they have misses. Yet, they do complement each other. It would be in your best interest to watch/read them closely together.

Episode 18: Galaxy 4

Galaxy FourEpisode 18: Galaxy 4
First Doctor
Companions: Vicki, Steven
Written by William Emms
Directed by Derek Martinus and Mervyn Pinfield
Wikipedia Entry

Four Hundred Dawns
Trap of Steel
Air Lock
The Exploding Planet
(Missing #1, #2, and #4)

The Doctor and his companions are caught in a fight between two races as a planet quickly marches to its destruction.

I’m not really sure what to think about this episode. I feel lucky in that the episode was reconstructed for the Special Edition of The Aztecs. The thing that amuses me is that it’s a reconstruction that doesn’t even try to match the level of reconstruction that the other Doctor Who reconstructions attempted. Granted there’s only one actually part of the serial that is intact, meaning that an animation reconstruction would be extensive. Instead we have a simple reconstruction of the Chumblies machines and some horrifying Photoshop in place of photos.

The thing that is interesting about this episode would be the story itself. The base of the story is simple enough: the Doctor encounters two races who have animosity against each other. Thrown in a little planet doom and you have plot and tension. But there’s an added element that throws me off when I consider the larger implications to the story. It’s the use of the more aggressive race that I find strange and potentially offensive. The baddies in this serial is a race called the Drahvins, a female group bent on the destroying the race of the Rills, an advanced race who use machines as a means of hiding their appearances.

The reason why I’m feeling conflicted is that the Drahvins are written with a slight sexist tone. The leader, Maaga, is a single-minded individual who doesn’t accept any other thought than her own. The rest of the Drahvins are lesser replica, breeder to only follow the directions of Maaga. The race has rejected the concept of men, keeping a limited amount of males to assist with breeding and killing the rest as they are considered a burden on their society. They fear the Rills because of their appearances and refuse to accept anything but the Rills’s destruction. Even at the end when the only option would be to work together to survive, Maaga refuses because of her one-track mind towards the Rills annihilation.

I can’t help but consider this episode to be almost a parody of feminist thought. The single-mindedness of female superiority and the killings of the male gender allows for only the female to be in total control. Maaga considers humans to be weak because they are willing to die for each other if needed. It’s frustrating because the companions in this serial feel like parodies of themselves in relations to the Drahvin character. Steven is kind of a dick in this episode, which is emphasized in the book adaptation. It’s as if he was put there just to balance out the feminist parody. Hey look, female villains! Here’s what a real male looks and acts like and it isn’t as bad as your hormones think it is!


I can see why the Drahvins could be used as a lesson about fearing the unknown. I get it and I think it would have been an even better serial if the feminist parody wasn’t pushed as much as it was during these episodes.

Outside of the annoying Drahvins, I actually was entertained by parts of this serial. I really liked the Rills and I adored the use of the Chumblies. I wish that Nu Who would use these aliens in later episodes.

Book Evaluation
As annoyed as I was about the feminist parody issue with the reconstructed serial, it’s nothing compared to the book adaptation. Throughout the book Steven is dealing with his “feelings” that it was such a shame that such attractive females could be so cold and unfeeling. The book consistently discusses how angry he is about the Drahvins lack of warmth. It’s almost to the point where I feel that Steven is feeling threatened and acting out but not in the manner that is acceptable of a Doctor Who companion. He’s whiny, annoying, and I constantly groaned anytime that he was part of the plot/action.

It doesn’t help that the book adaptation is more philosophical in nature than a mere adaptation.

We do gain more information about Maaga’s perspective. She comes from affluence and has been taught to exhibit this manner of arrogance. While this perspective helps lessen the animosity that I feel for her character and the feminist parody storyline, she was still an annoying character and clearly wasn’t written to showcase character growth. It does still highlight their menacing behavior towards the Rills, allowing the reader to gain the understanding that appearances are not an indicator of character.

One thing that I haven’t mentioned in my readings of these adaptations is how much is foresight instead of a straight adaptation of a script. For example, in this adaptation there is mention of regeneration and the screwdriver. Regeneration wouldn’t be an issue for another year into the series. And so far, the First Doctor has yet to pull out any form of a sonic screwdriver. While it’s great to have this context within the story, it’s not really necessary has it was never really part of the First Doctor’s existence, at least from what was presented in the serials.

Book Historical Note
When the Doctor mentions how silent the planet is, Vicki asks if they have time-jumped again, which happened to the Doctor and his companions in The Space Museum. This is not mentioned in the scripts or transcripts that I was able to find.


Episode 17: The Time Meddler

The Time MeddlerEpisode 17: The Time Meddler
First Doctor
Companions: Vicki, Steven
Written by Dennis Spooner
Directed by Douglas Camfield
Wikipedia Entry

The Watcher
The Meddling Monk
A Battle of Wits

Still reeling from the departure of his first human companions, Barbara and Ian, the Doctor finds himself in a struggle for control with a Time Meddler.

This is one of my favorite serials. Everything about this feels correct. The acting, the story, the episode pacing, everything was correct and perfect. Compared to the previous serial of The Chase, this is a far superior serial. It serves as a great introduction to a new companion. It’s also a great episode to introduce any new Classic Who fan to the series if they are merely curious about the program.

What’s really great about this episode is that it builds the foundation for Modern Who. We get a glimpse into the world of the Time Lords outside of the view of the Doctor. (Note that the Doctor is not yet named as a Time Lord yet but there is an understanding that the Monk and the Doctor are of the same species.) We get to see that there are different models of the TARDIS and different interpretations of the meaning of “interference”.

The Doctor is simply delightful in his interactions with the guest characters. The foundation that is built with Steven and the Doctor is fun and delightful. Overall, I think this was the perfect episode to present after the lackluster serials of The Chase and The Space Museum. I can’t help but wish the energy presented in this serial had been present in the previous two.

Historical Notes
This was the first introduction of the Meddling Monk, a fellow Time Lord.

Villain Introduction
The Meddling Monk

Book Evaluation
Like the visual presentation, the book adaptation is a tight, fun story that is highly entertaining. The characters and the action are well-balanced. The writing is crispy and the story flows quite well. I found that I read the adaptation quickly and was never bored with the prose.

In the book adaptation of The Chase, Steven is mentioned briefly as having escaped from the burning building, not dead as the Doctor, Barbara, Ian, and Vicki had assumed. The description of how Steven smuggles onto the TARDIS is brief but it does inform the reader that he is on the time vessel. The adaptation of The Time Meddler gives a two-page prologue which gives the reader a bit of a background of how Steven came upon the ship in the first place. It’s a great character introduction and I think it adds to the drama of the adapted storyline.